Ion Luca Caragiale
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Although few in number, Caragiale's plays constitute the most accomplished expression of Romanian theatre, as well as being important venues for criticism of late-19th-century Romanian society. They include the comedies ''O noapte furtunoasă'', ''Conu Leonida față cu reacțiunea'', ''O scrisoare pierdută'', and the tragedy ''Năpasta''. In addition to these, Caragiale authored a large number of essays, articles, short stories, novellas and sketch stories, as well as occasional works of poetry and autobiographical texts such as ''Din carnetul unui vechi sufleur''. In many cases, his creations were first published in one of several magazines he edited — ''Claponul'', ''Vatra'', and ''Epoca''. In some of his later fiction writings, including ''La hanul lui Mânjoală'', ''Kir Ianulea'', ''Abu-Hasan,'' ''Pastramă trufanda'' and ''Calul dracului'', Caragiale adopted the fantasy genre or turned to historical fiction.
Ion Luca Caragiale was interested in the politics of the Romanian Kingdom, and oscillated between the liberal current and conservatism. Most of his satirical works target the liberal republicans and the National Liberals, evidencing both his respect for their rivals at ''Junimea'' and his connections with the literary critic Titu Maiorescu. He came to clash with National Liberal leaders such as Dimitrie Sturdza and Bogdan Petriceicu Hasdeu, and was a lifelong adversary of the Symbolist poet Alexandru Macedonski. As a result of these conflicts, the most influential of Caragiale's critics barred his access to the cultural establishment for several decades. During the 1890s, Caragiale rallied with the radical movement of George Panu, before associating with the Conservative Party. After having decided to settle in Berlin, he came to voice strong criticism for Romanian politicians of all colours in the wake of the 1907 Romanian Peasants' Revolt, and ultimately joined the Conservative-Democratic Party of Tache Ionescu.
He was both a friend and rival to writers such as Mihai Eminescu, Titu Maiorescu, and Barbu Ștefănescu Delavrancea, while maintaining contacts with, among others, the ''Junimist'' essayist Iacob Negruzzi, the socialist philosopher Constantin Dobrogeanu-Gherea, the literary critic Paul Zarifopol, the poets George Coșbuc and Mite Kremnitz, the psychologist Constantin Rădulescu-Motru, and the Transylvanian poet and activist Octavian Goga. Ion Luca was the nephew of Costache and Iorgu Caragiale, who were major figures of the 19th century Romanian theatre. His sons Mateiu and Luca were both modernist writers. Provided by Wikipedia
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